Emma is certainly clueless at times (whether
unintentionally or willfully so), but she is also clever, confident,
condescending, and exhibits a great deal of power. Whether that power is real
or perceived is up for debate and may change from situation to situation
throughout the novel. So how did Emma get to this point? What was it in her
childhood that led to her intense sense of self worth and her denial to
perceive herself as part of the marriage market? I think Emma’s parents or lack
thereof play a great deal.
Emma’s mother died before she truly got a
chance to meet her or learn from her. While she has other female figures (her
sister Isabella and her governess Miss Taylor), they do not necessarily provide
her with an example of a motherly figure who might encourage the normative
gender roles of wifehood and motherhood. Therefore, Emma values time spent with
the people around her (her family and friends), but she values their attention
in a selfish way. She is not concerned with starting a family of her own. She
enjoys being the center of attention with the people she already has.
Not only did her mother die early, but her
father is a needy and sickly person who needs caretaking and looking after from
his daughter. Whenever he begins to panic about some illness or situation, Emma
is there to calm him down and to remind him of the logical solutions to dispel his
concerns. “His spirits required support.” And Emma supports him in many ways.
She organizes dinner parties for him so that he does not get lonely or bored, she
calms him down when he is worried about safety concerns, and she deals with his
hypochondriac tendencies. Because of this, Emma and her father switch the
traditional parent (caretaker)/child (cared for) roles. Having to take care of
her father forces her to be the adult of the house from an early age which
gives her power (at least within her family and household) and encourages her “in
charge” personality. Emma believes that things should go her way because things
went her way growing up. At one point Knightley says that “ever since she was
twelve, Emma has been mistress of the house and of you all.”
Knightley also mentions that Emma “is spoiled
by being the cleverest of her family. At ten years old, she had the misfortune
of being able to answer questions which puzzled her sister at seventeen.” Emma’s
intelligence and cleverness in relation to her family has also contributed to
her personality. Emma is very bright, smarter even than her immediate relatives;
growing up she had no one to challenge her. Her opinions and her words were therefore
always right. Over time, this developed into her manipulative behaviors,
because she believes that her ideas and decisions are incontestably the best
ones.
Emma’s view of herself in relation to the
marriage market is also indicative of her father’s influence. Chapter 1
describes Mr. Woodhouse: “He was a nervous man, easily depressed; fond of every
body that he was used to, and hating to part with them; hating change of every
kind. Matrimony, as the origin of change, was always disagreeable.” Mr.
Woodhouse is easily depressed and enjoys the company of others. He is
particularly soothed and contented by Emma’s company. He does not look
favorably on the thought of his daughters’ marriage as other Austen parents
might. Instead, he loathes the idea of change and the thought that he will not
get to see his daughters anymore. This is a possible factor in Emma’s decision
to not be part of the marriage market; she does not want to leave her father
depressed and lonely. Emma cares deeply for her father and wishes for him to be
happy. If her presence is the thing keeping him happy, then she will have to
remain at Hartfield.
Hi KellyNoel,
ReplyDeleteI think you've pointed to exactly the thing that will help us understand Emma's character and, if we are so inclined, forgive her for some of her failings. What type of supplemental education will she need to overcome these limitations, and where will it come from? How will she change after receiving it? We already know the answers to these questions in part, but they'll be well worth tracing as the novel goes on. I'm curious to see how much you, and others, feel the new and improved Emma at the end of the novel resembles the original.
Great job!
Davide